Antonyms of Beauty
Khalik Allah’s unflinching follow-up to his short URBAN RASHOMON breaks down the barriers between photography and cinema to create a free-associative portrait of a mentally ill homeless man named Frenchie.
Khalik Allah’s unflinching follow-up to his short URBAN RASHOMON breaks down the barriers between photography and cinema to create a free-associative portrait of a mentally ill homeless man named Frenchie.